Shortly after serving in World War II, photographer Minor White moved to San Francisco in 1946 to teach at the California School of Fine Arts (today’s San Francisco Art Institute). Soon after arriving, he set out to document every part of San Francisco from the Embarcadero to the ocean for a series he called City of Surf. The project put Minor White in the role of flâneur (stroller) walking in the city with a handheld camera to record passing observations. The never-finished series grew to some six thousand negatives over the course of four years, and the photographs on view in this exhibition were likely made as part of the project. White’s extensive catalogue captured the city in the midst of a postwar boom. Combining sophisticated abstract composition with socially astute observations, the photographs reveal a growing, rapidly modernizing, and more ethnically diverse San Francisco. White documented African Americans in the Fillmore, a district previously inhabited by Japanese Americans who were incarcerated during the war. In the Financial District, he photographed a new class of office workers—women. All throughout postwar San Francisco he recorded construction as the Victorian Gold Rush city rubbed up against trucks, freeways, and newly poured cement sidewalks.
Minor White, Mid-morning coffee time, Sansome and Pine Streets, San Francisco, 1949
Minor White, Elks' Shoe Shine Parlor, 1535 1/2 Geary Boulevard, San Francisco, 1948
Minor White, 1732 Bryant Street, San Francisco, 1948
Minor White, Chinatown, San Francisco, 1953